Buy Amadeus
I first saw “Amadeus” around 1984 when it was first released. Besides being a visual and musical masterpiece of film making, it kick-started my life-long worship of and appreciation for classical music.
I won’t bid the sage synopsis as it’s already been thoroughly described both by Amazon.com’s important review and multiple customers here already.
I will say though that this edition, ‘The Directors Cut’, is a major improvement over the first DVD release. First, (and finally!!), the movie is now a single-side DVD…gone is the annoying 2 sided ‘flipper’ that the first release was. You can now view “Amadeus” from originate to do without having to earn up and turn it over. For my money, that’s reason enough alone to fill this unusual version.
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Secondly, ‘The Directors Cut’ now adds about 20-30 minutes of previously deleted scenes, placed wait on into where they were originally intended. Personally I gain some of the newer stuff enhances the legend overall and fills in some details that were left vague in the unique theatrical release. I won’t give away any details, but there is a unique scene between Mozart’s wife, Constanza, and Salieri, Mozart’s chief musical rival (and secret arch-enemy) early in the movie that puts an whole fresh perspective of Salieri’s crooked and battered psyche.
As for the DVD itself, the relate and sound quality are both exemplary. Included is a second disk with bonus material including interviews and making-of extras.
If you loved the recent, you owe it to yourself to engage up this version. If you’re current to classical music and Mozart, this is the best spot to open.
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lr** Jan 30,2003
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HIGHLY RECOMMENDED.
If you’re a fan of the unique theatrical nick of “Amadeus” you’ll have mixed feelings about the “Director’s Chop”. While I perfer the latter for a number of reasons, the feeling and prance of the unusual theatrical version differs somewhat from the “Director’s Sever”. The most well-known section are extended scenes that include Salieri agreeing to encourage Constanze if she has an affair with him. He ends up rejecting her when she shows that she so loves her husband that she would be willing to do so. A number of the opera scenes are extended as well with more business after the point to between Mozart and his leading lady. There’s also a longer sequence though-provoking Salieri’s visit to Mozart comissioning the “Requiem”. Most of the material adds to the power of the film while a few sequences honest give additional attend chronicle on various characters. The novel theatrical version which won an 8 Oscars runs about 25 minutes shorter than the 3 hour “Director’s Nick”. Forman also provide a involving commentary track for the film along with writer Peter Shaffer (”Equus”) .
The image quality for the “Director’s Slit” is advantageous to the unique theatrical version. The film was restored to its new luster for re-release resulting in powerful more natural flesh tones and a sharper visual image as well. The colors which play in distinguished fraction in conveying the themes of each sequence are more robust and intelligent. The theatrical version looks quite satisfactory although it was first issued on DVD as a “flipper” (meaning you had to flip it over) DVD after roughly two hours to gawk the last third of the movie. The sizable advantage for the theatrical version is Neville Mariner’s salvage on an isolated track.
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The second disc of the “Director’s Slash” has one terrific extra, a brief talent list and the modern theatrical trailer. The respectable behind-the-scenes documentary covers the highlights and difficulties that Forman faced in translating Shaffer’s stage play to the cloak. At nearly 40 minutes it could have provided more background including outtakes, rehearsals and auditions but it’s quite a few documentary as it is. There was plenty of room on the second disc to include Mariner’s isolated acquire but the documentary is really all we rep.
As to which is better–it’s a toss up. Both versions of the film work extremely well although I win the “Director’s Carve” for the added footage, the sharper more robust image quality and the higher definintion anamorphic transfer. I do miss the isolated Marriner earn of Mozart’s music that appeared on the recent disc in 5.1. Given the capacity of the second disc, it could easily have been transferred and would have added value to this special edition.
A yarn of envy, lust and madden “Amadeus” focuses on the brief life of Wolfgang Amadeus Mozart. Mozart (Oscar nominee Tom Hulce giving a terrific performance) was a child prodigy who mild his first section at the age of 4 and produced a remarkably sizable body of work for such a brief life. His nemesis is court composer Antonio Salieri (Oscar winner F. Murray Abraham in a mighty performance) . This is really Salieri’s narrative as his jealousy drives him to demolish Mozart. Salieri is so consumed with his jealousy, that while recognizing the beauty and originality of Mozart’s music, he can’t attend but want to raze its creator. Salieri’s quaint compositions can’t have a candle to Mozart’s complex, unique and shimmering pieces.
Featuring inspired supporting performances by Christine Ebersole, Jeffrey Jones, Simon Callow (”Three Weddings and a Funeral”), the only performer that doesn’t do anything for me is Elizabeth Berridge as Constanze. She replaced Meg Tilly objective prior to shooting. The fine production create, cinematography and inspiring direction perform “Amadeus: The Director’s Sever” an experience worth savoring. This deluxe edition features a running commentary by director Milos Forman, writer Peter Shaffer (”Equus”), a vast 30 exiguous documentary on the making of the movie and a terrific 5.1 Dolby Digital remastered soundtrack. Restored from the recent film elements, the film hasn’t looked this robust and intellectual in quite some time. The digital anamorphic transfer looks capable and almost rich enough to eat. This version doesn’t replace the novel theatrical version but is more of an enhanced experience for those who loved the first film. Since this version runs roughly three hours, be prepared for a long evening.
Highly recommended, this examination of the destructive power of jealousy composed resonates with power, passion and improbable music. If you’re not an opera buff, I’d suggest skipping this for, while the film is mighty, fraction of the power comes from appreciating the music that Mozart wrote. We peep a lot of excerpts from a variety of Mozart’s operas throughout the movie. Whichever version of the movie you settle, you’ll clear to be tickled. I’d give the “Director’s Cleave” a petite edge for better narrate.
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