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January 25, 2010

Watch The New York Yankees Fall Classic Collector’s Edition 1996-2001

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Make some room on your DVD shelf next to your Yankeeographys because MLB Productions have a hit on their hands. They answered the 2004 Boston Red Sox box area with a Yankee compilation that was second to none.

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While the Red Sox state included only the 2004 World Series the Yankees collection includes some of the greatest World Series Games of the Joe Torre Era. The Red Sox location is guaranteed to last 86 years so it should hold the Sox fans elated for a long time. This spot includes five complete World Series Games, all of which are Yankee victories of course. And if that wasn’t enough, in addition to the complete games there are two bonus disks.

As spellbinding as the complete games are, unfortunately it doesn’t include John Proper and Michael Kay like the YES Network Yankee Classics do. It does include the unique national broadcasts, which has commentators that feature Bob Costas, Joe Buck, Tim McCarver and Joe Morgan. The report couldn’t be sharper and it does seem to be a stout featured DVD as opposed to some past releases.

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The fat games included 1996 Game 4 which features Jimmy Leyritz leading the Yanks benefit from a 6-0 deficit to a 8-6 extra inning triumph that tied the series at 2 all. The next game is another near from slow victory. The third game of the 1998 series features the Bombers beating San Diego ace reliever Trevor Hoffman.

The third complete game is another game three, this one again against the Braves that features a trek off homer by Chad Curtis. Mariano Rivera took a secure this time around instead of his usual do. The forth complete game DVD is a Game 5 series ender against the Mets in 2000, the first Subway Series since 1956. The Yankees won it in the top of the ninth on a single by smart sub Louie Sojo. Mike Stanton got the salvage in relief of Andy Pettitte. The loss went to veteran Yankee farmhand Al Leiter.

The final complete game while a Yankee victory is unique in the fact that the Yankees lost this series to the Arizona Diamondbacks. What made this game original was that this was the 911-year and due to the suspension of baseball that year at midnight of that game it became November. It was the first baseball game played in November. And Derek Jeter homered in the bottom of the tenth thus becoming the first “Mr. November”.

The two Bonus DVDs are worth the heed of admission on their gain. They include all the MLB World Series videos plus a plethora of bonus footage that includes Roger “Rocket” Clemens 2000 ALSC game 4 masterpiece. Other inclusions are highlights from Gooden’s No Hitter, David Cone’s and David Well’s Perfect Games, Jeter’s ALDS series saving flip, and many other highlights by names like David Justice, Jim Leyritz, and Paul O’Neill. There is abundance of leisurely the scenes footage that includes locker room, interviews and press conferences and considerable, grand more.

The packaging is a Trivia Buffs delight as it is beefy of boxscores, highlights and facts. It will jar your memory reading the cases alone.

These disks are a must have for Yankee fans. As soon as I posted the banners I saw many of you pre order these dazzling DVDs. So what are the rest of you waiting for?

The only regret I have about this DVD residence is that it isn’t as substantial as, or bigger than MLB’s overly indulgent 2004 Red Sox spot. The five games selected for presentation in this state are spellbinding to scrutinize in quality more pristine than any Yankee fan’s off-air recording might be, but the spot IMO could easily have included five more games from this era, including well-known ALDS and ALCS games as well.

The truly nice thing is that in presenting these game broadcasts, we pick up them unedited. The FOX and NBC graphics are left intact as are the promos for other shows, all of which usually gets cleave out of ESPN Classic replays. Chapter stops are conveniently keyed to individual half innings which is very top-notch for accessing key moments of the games.

The supplementary material also makes this space a must-have. The 2000 WS was the last official highlights video to be released in VHS only at the time it came out, so Yankee fans can now for the first time have the four WS highlight videos of 96-98-99-00 in a better format. Also, in difference to the supplementary material one finds in the Yankeeography discs, key games like the Wells and Cone perfect games are spotlighted with up to a elephantine half inning of action rather than fair one batter’s worth of action.

Yankee fans should hold this up and hope that MLB might do a Volume 2 area devoted to this vast era of the Yankee dynasty sometime in the future.
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January 15, 2010

Stream Race to Freedom: The Story of the Underground Railroad

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I objective watched this movie for a observe in my history class, and was completely captivated. I conception it was going to be a boring

school movie, but was amazed to regain otherwise. After the film ended, I was heartbroken because I wanted to peer it again. Fortunately, I know that it is available on video so I might retract it in the arrive future. Accelerate TO FREEDOM is a superbly acted, well dramatized historical film that displays the horror

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of slavery with broad intelligence. This film is well scripted

and well laid out. The ending, though being very fairy-taleish

is extremely pleased and when it ended, our class clapped. Hehe, and when Solomon shot the bounty hunter (from ‘Cowboys Don’t Cry’), our class cheered. An obliging film.

This video is an proper addition to anyone’s library. It follows the journeys of four runaway slaves to the promised land in Canada. The filming is gorgeous and the record heartrending and worthy. Shows the incompatibility that human beings can form by helping one another against the odds. I would definitely recommend this movie.
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January 4, 2010

Buy Amadeus

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I first saw “Amadeus” around 1984 when it was first released. Besides being a visual and musical masterpiece of film making, it kick-started my life-long worship of and appreciation for classical music.

I won’t bid the sage synopsis as it’s already been thoroughly described both by Amazon.com’s important review and multiple customers here already.

I will say though that this edition, ‘The Directors Cut’, is a major improvement over the first DVD release. First, (and finally!!), the movie is now a single-side DVD…gone is the annoying 2 sided ‘flipper’ that the first release was. You can now view “Amadeus” from originate to do without having to earn up and turn it over. For my money, that’s reason enough alone to fill this unusual version.

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Secondly, ‘The Directors Cut’ now adds about 20-30 minutes of previously deleted scenes, placed wait on into where they were originally intended. Personally I gain some of the newer stuff enhances the legend overall and fills in some details that were left vague in the unique theatrical release. I won’t give away any details, but there is a unique scene between Mozart’s wife, Constanza, and Salieri, Mozart’s chief musical rival (and secret arch-enemy) early in the movie that puts an whole fresh perspective of Salieri’s crooked and battered psyche.

As for the DVD itself, the relate and sound quality are both exemplary. Included is a second disk with bonus material including interviews and making-of extras.

If you loved the recent, you owe it to yourself to engage up this version. If you’re current to classical music and Mozart, this is the best spot to open.

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lr** Jan 30,2003

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HIGHLY RECOMMENDED.

If you’re a fan of the unique theatrical nick of “Amadeus” you’ll have mixed feelings about the “Director’s Chop”. While I perfer the latter for a number of reasons, the feeling and prance of the unusual theatrical version differs somewhat from the “Director’s Sever”. The most well-known section are extended scenes that include Salieri agreeing to encourage Constanze if she has an affair with him. He ends up rejecting her when she shows that she so loves her husband that she would be willing to do so. A number of the opera scenes are extended as well with more business after the point to between Mozart and his leading lady. There’s also a longer sequence though-provoking Salieri’s visit to Mozart comissioning the “Requiem”. Most of the material adds to the power of the film while a few sequences honest give additional attend chronicle on various characters. The novel theatrical version which won an 8 Oscars runs about 25 minutes shorter than the 3 hour “Director’s Nick”. Forman also provide a involving commentary track for the film along with writer Peter Shaffer (”Equus”) .

The image quality for the “Director’s Slit” is advantageous to the unique theatrical version. The film was restored to its new luster for re-release resulting in powerful more natural flesh tones and a sharper visual image as well. The colors which play in distinguished fraction in conveying the themes of each sequence are more robust and intelligent. The theatrical version looks quite satisfactory although it was first issued on DVD as a “flipper” (meaning you had to flip it over) DVD after roughly two hours to gawk the last third of the movie. The sizable advantage for the theatrical version is Neville Mariner’s salvage on an isolated track.

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The second disc of the “Director’s Slash” has one terrific extra, a brief talent list and the modern theatrical trailer. The respectable behind-the-scenes documentary covers the highlights and difficulties that Forman faced in translating Shaffer’s stage play to the cloak. At nearly 40 minutes it could have provided more background including outtakes, rehearsals and auditions but it’s quite a few documentary as it is. There was plenty of room on the second disc to include Mariner’s isolated acquire but the documentary is really all we rep.

As to which is better–it’s a toss up. Both versions of the film work extremely well although I win the “Director’s Carve” for the added footage, the sharper more robust image quality and the higher definintion anamorphic transfer. I do miss the isolated Marriner earn of Mozart’s music that appeared on the recent disc in 5.1. Given the capacity of the second disc, it could easily have been transferred and would have added value to this special edition.

A yarn of envy, lust and madden “Amadeus” focuses on the brief life of Wolfgang Amadeus Mozart. Mozart (Oscar nominee Tom Hulce giving a terrific performance) was a child prodigy who mild his first section at the age of 4 and produced a remarkably sizable body of work for such a brief life. His nemesis is court composer Antonio Salieri (Oscar winner F. Murray Abraham in a mighty performance) . This is really Salieri’s narrative as his jealousy drives him to demolish Mozart. Salieri is so consumed with his jealousy, that while recognizing the beauty and originality of Mozart’s music, he can’t attend but want to raze its creator. Salieri’s quaint compositions can’t have a candle to Mozart’s complex, unique and shimmering pieces.

Featuring inspired supporting performances by Christine Ebersole, Jeffrey Jones, Simon Callow (”Three Weddings and a Funeral”), the only performer that doesn’t do anything for me is Elizabeth Berridge as Constanze. She replaced Meg Tilly objective prior to shooting. The fine production create, cinematography and inspiring direction perform “Amadeus: The Director’s Sever” an experience worth savoring. This deluxe edition features a running commentary by director Milos Forman, writer Peter Shaffer (”Equus”), a vast 30 exiguous documentary on the making of the movie and a terrific 5.1 Dolby Digital remastered soundtrack. Restored from the recent film elements, the film hasn’t looked this robust and intellectual in quite some time. The digital anamorphic transfer looks capable and almost rich enough to eat. This version doesn’t replace the novel theatrical version but is more of an enhanced experience for those who loved the first film. Since this version runs roughly three hours, be prepared for a long evening.

Highly recommended, this examination of the destructive power of jealousy composed resonates with power, passion and improbable music. If you’re not an opera buff, I’d suggest skipping this for, while the film is mighty, fraction of the power comes from appreciating the music that Mozart wrote. We peep a lot of excerpts from a variety of Mozart’s operas throughout the movie. Whichever version of the movie you settle, you’ll clear to be tickled. I’d give the “Director’s Cleave” a petite edge for better narrate.
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